The music documentary genre is witnessing a renaissance, and at the forefront of this evolution is Alex Ross Perry’s *Pavements*. Released by Utopia, the film opened with significant buzz, raking in $13.2K at the Film Forum in NYC, where enthusiastic sold-out Q&As followed screenings. What distinguishes *Pavements* from the plethora of other documentaries is its
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The recent decision by Amazon MGM Studios to shift the release date for “Three Bags Full: A Sheep Detective Movie” from February 20, 2026, to November 13, 2026, speaks volumes about the studio’s market strategy. The anticipation surrounding a holiday season release is palpable, especially when there’s a rampant demand for family-centric films at Thanksgiving.
In a time when the box office is facing uncertain futures, Disney and Marvel Studios have seemingly pulled a rabbit out of the hat with their recent release, *Thunderbolts*. Recently, industry insiders reported that the film has kicked off its opening night with a surprising $11 million, a statistic that indicates more than just solid
In an era where streaming dominates the conversation about film consumption, Deadline’s Most Valuable Blockbuster tournament sheds light on an often-neglected facet of the industry: the theatre-to-streaming transition. The data presented in this survey confirms a vital truth: traditional box office success alone is no longer sufficient to define a film’s value. Predictably, giants like
In a cinematic landscape where financial success is groaned over by traditional studios, the allure of horror films continues to shine brightly in 2024. Deadline’s Most Valuable Blockbuster tournament rewinds the clock on box office earnings, leading us to reflect on how those profits can sprout from unforeseen places. One could argue that, unlike other
The recent resurgence of the blockbuster film landscape is nothing short of astonishing, especially with the latest addition to the superhero genre, “Deadpool & Wolverine.” Raking in over $1.3 billion globally, this film isn’t just a success story; it serves as a revealing case study about what motivates audiences and studios alike in a rapidly
Hollywood is in the midst of a seismic shift, a transformation that’s not merely about box office numbers but extends into an intricate web of downstream revenues. As we step into the new era of filmmaking in 2024, it becomes increasingly evident that traditional metrics for success—ticket sales and opening weekend figures—no longer tell the
As Disney re-releases *Star Wars: Revenge of the Sith*, it’s important to understand the deep-rooted connection that the franchise has with its audience. The movie has already made notable waves by raking in an impressive $3.4 million in previews alone. This is not just a flash in the pan; it represents a significant resurgence in
In the era of post-pandemic cinema, filmmakers and studios are grappling with a stark reality: box office revenues are no longer the sole indicator of a film’s success. As the film industry pivots towards new revenue models, the importance of downstream earnings, including digital streaming and international distribution, looms larger than ever. Traditional industry giants
As we venture deeper into the dynamics of the modern film industry, it becomes abundantly clear that the age-old notion of a film’s success being purely defined by its box office numbers is woefully outdated. With the advent of streaming platforms and varied revenue streams, the definition of what constitutes a blockbuster must expand. Case